Read Online The Greater Journey: Americans in Paris By David McCullough
Read Online The Greater Journey: Americans in Paris By David McCullough
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Ebook About The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough.Not all pioneers went west. In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history. Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time. Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.”Book The Greater Journey: Americans in Paris Review :
This book was a delightful and informative narrative of many prominent Americans who traveled to Paris from the early 1830's to the end of the 19th century. Who knew that before he invented the telegraph, Samuel Morse was an exceptional painter. His "Gallery of the Louvre"was a well celebrated painting. He also had a friendship with the writer James Fenimore Cooper and included him in the aforementioned painting. Young medical students including Oliver Wendell Holmes and Elizabeth Blackwell (first American female doctor) came to France to enhance their skills as France was at the cutting edge of medical knowledge during this period. Who was Elihu Washburne? You will find out about this remarkable American after reading The Greater Journey. Other notable individuals who are discussed in this book include artists John Singer Sargent, Mary Cassat, George Healy and the remarkable sculptor, Augustus Saint-Gaudens. You will learn about the internal turmoil that continued in France after the Revolution of 1789 including the reign of Louis Napoleon and his major blunder of going to war with Germany. There is so much to like about this book. This is the seventh book written by Mr. McCullough that I have read and it may be the most enjoyable. I have a colleague who likes to say of her favorite authors that, if they wrote a book about paint drying, she'd be delighted to read it. Though perhaps exaggerated, I feel that just this sentiment applies here. I am, by training, a theologian and a biblical scholar. By avocation, I am a reader of history but usually of the mid-20th century (World Wars, Civil Rights, etc). Thus, a book on Americans in 19th-century Paris is anything but my area of expertise or interest. Reading about 19th-century Europe is about as close as I come to reading works of the "paint-drying" variety. Yet, David McCullough has once again managed to captivate me with these interwoven stories of inventors, doctors, and artists and the deep entwinement that marks American and French history. The book is interesting, first of all, because the book centers on a place rather than a person (McCullough is perhaps first thought of by most as a biographer), so I was curious to see if and how he could "bring to life" a 19th-century city. Of course, this is the David McCullough of "John Adams" fame, so there was never much in the way of doubt as to what he could actually accomplish. There is an unbelievable ease to his writing. Though his scholarship is immense (especially when you consider all the excerpts from personal letters and diaries), it never weighs the story down nor does it give the book the "clunky" feel so common to most academic works. Perhaps that is due to McCullough's virtually-inerrant sense for the "telling" anecdote that encapsulates the point or captures the spirit of what he is trying to convey. Here are stories of the formative years of many of America's "leading lights" of the 19th century: Samuel F.B. Morse, George Catlin, Mary Cassatt, Oliver Wendell Holmes, and John Singer Sargent, among others…all told with ease and grace and fine sense of the entanglement that makes human life and society so rich and exciting.If the book does anything, I believe it shows, first of all, the deep kinship that bonds the United States of America to the country of France. It also reminds me that, though world history is vast and complicated, for all intents and purposes, the modern world revolved around Paris for much of the 19th century…artistically, technologically, medically, politically. Perhaps our postmodern ethos has made us so intent on telling the "forgotten" stories of history (a moral duty, no doubt) that we've almost lost the ability to discern the "pivotal" stories that have shaped not just the contemporary moment but the trajectories of decades and even centuries to come. There are "centers" to world events (assuredly not all Western European or North American), and McCullough's thoughtful portrayal has me considering where such influence might be found today. That is the ultimate power of good history: to recall the past in such a way as to reshape our comprehension of the present. And that is precisely what David McCullough's work unfailingly does. 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